Pomona - Autumn 2025 - Directed by Sara Lloyd, with inital discussions with Kwame Owusu, costume team supervised by Jenn Jacobs-Evans. Designed 7 characters for 7 actors, originally planned for 22 individual looks cut down to 18 using various layers of clothing. Managed two assistants, Hâf Rogers and Wenjing Ma, and mask-maker Elowen Packer. Planned schedules, balanced budget, ran fittings, curated Costume Bible, tested Special Effects Makeup for bruising and injury, and offered insights into interpretations of the text in regards to Dungeons and Dragons and Lovecraftian mythos. Created tracks for showruns and also stepped in as a dresser due to availability of assistants. Also designed potential advertising material upon director's request.
Opera Scenes - Spring 2026 - Directed by Jack Furness. One of nine costume designers, supervised by Jenn Jacobs-Evans. All designers doubled-up as each other's assistants. Designed for 11 performers with 14 individual costumes total. All sourced, altered, made, fitted, and measured by myself. During showrun, assisted in quickchanges, laundry, track-making, and scheduling.
Orpheus in the Underworld - Spring 2026 - Directed by Matthew Eberhardt, co-designed costumes with Jules Dockstader, supervised by Jenn Jacobs-Evans. Designed for 10 performers with one look each. Oversaw 4 costume assistants, allocating roles and tasks throughout production. Assisted in a few makes for both mine and Dockstader's designs, as well as planning out quickchanges with the assistants during tech.
Wake Up - Digital Operetta - Summer 2026 - Directed by Jac Ifan Moore. Designed for 2 performers with 3 looks total between them. Sourced items and consulted on camera work during the shoot.
Swan of the Troubadour - Summer 2026 - Directed by Tynan Thorogood. Designed for 3 performers, one look each. Sourced items with a quick turn-around of 2 days.
Costume Assistant/Dresser
Treasure Island - Winter 2024 - Directed by Polly Graham, costumes designed by Hazel Pring, supervised by Jenn Jacobs-Evans. Duties included millinery, alterations, taking measurements and fitting notes, making of a helmet piece and a hidden sling to conceal the foot of Long John Silver's Actor, several quick-changes run solo, making tracks for other assistants, sourcing items, and laundry.
An Armed Robbery in a Petrol Station off the A38 - Spring 2025 - Directed by Ned Bennett, costumes designed by Haoran Huang, supervised by Jenn Jacobs-Evans. Duties included sourcing items, balancing budgets, taking measurements and fitting notes, alterations, designing fictional brand logos, and laundry.